And, as you’ll see in this list, there are so many choices! Don’t let the variety available distract you from the message your font needs to portray. Some were designed to be quirky and fun, while others are more intense and serious. It’s just like know what event you’re attending before picking your outfit.Īs you’ll see in our inspirations below, every font has its own unique characteristics. You need to know what characteristics you’re actually looking for before you even begin looking at fonts. What are you trying to portray? What are your goals? When it comes to choosing your font, you need to start with the message in your design. It may not encompass the entire message, but it sure does make an impact. It’s been said that a font is kind of like an outfit. Because, once again, your font is a huge part of your message. While it may not be super important to know these distinctions, it can come in handy when trying to discern the ins and outs of your designs. So your typeface could be Times New Roman, but your font is Times New Roman, 12pt, Bold. Font is the specific size and weight of a typeface. For example, Times New Roman is a typeface. Typeface is the overall design type of the lettering you use. In today’s post, we’ll be using the two interchangeably, but to keep it professional let’s quickly go over the differences. The first thing we need to discuss is the difference between font and typeface. We’ll take a look at fonts used right, before offering you a selection of free and premium font options that will help bring your next project together.īefore we get to the inspiration of today’s post, let’s get through some nitty gritty. To help you create a seamless design and aid in your font choice, today’s inspiration roundup is all about fonts and the right way to use them. You want your fonts to serve a purpose and be appropriate for your messaging, all without being a distraction. Without the right font, your creation could be a dud before anything else in the design is noticed.īecause of the importance of font, when you’re making your decision on which to use, you need to be thoughtful and deliberate. It not only relays the message of a design, it literally spells out that message. Typography is that first impression punch. The best designers know one of the keys to making sure a project comes together is the right use of font. You need to get your colors right, your spacing perfect, and your message needs to be clear. Now, again, to be clear, I’m talking about the front of the stack – the place where we spec what’s going to happen in modern browsers on computers that were built in the last five years.Any good designer knows that a successful project requires a careful balance of several different elements. And then we’ll probably use the real typeface – not the web-safe, lame substitute. I frankly hope never to spec any of those for the front of a font stack ever again, unless they’re part of a client’s actual brand. For the front of the stack, why bother with these when you’ve got Those give us TRULY gorgeous type.įifteen years was a very long time with the six or seven web-safe faces (Comic Sans does NOT count). I think for the back of the stack you want truly web-safe fonts. So then the question is: where are you going to use a half-web-safe font? So whether a given typeface is web-safe or not depends on whether the audience segment in the aggregate likely installed the fonts with Office. A few of the fonts in this post get their web-safe cred by being included with Office applications, so it’s a better-than-even shot that a given user has installed them either by not paying attention in the course of the Office install or by paying attention and opting for the fonts.
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